
Cast: Manoj Bajpai, Tigmanshu Dhulia, Richa Chadda, Reema Sen, Piyush Mishra, Nawazuddin Siddiqui, Huma Qureshi
Directed by Anurag Kashyap
Rating : ***1/2
Anurag Kashyap one more related to reality of India. Gangs Of Wasseypur Released today . Gangs Of Wasseypur has a capricious first half. The film never recovers from the unforgivably tedious first half-hour. Although, self-indulgent in parts the film manages to say a lot in approx 160 minutes of runtime. Manoj Bajpayee and Nawazuddin Siddiqui are outstanding, say
Smriti Irani‘s ridiculously bovine grin welcomes us to the Kyunki Saas Bhi Kabhu Bahu Thi house, introducing us to the saccharine-soaked members of the smiley family, before the camera pulls out and the television is silenced by gunfire. And more gunfire.
As Pankaj Tripathi‘s Sultan leads a group of marauders through twisty side-streets, Anurag Kashyap’s film has, within seconds, evolved from soap opera to First Person Shooter. We’re jolted into its noisy, brutish world. Then, yet another metamorphosis: into a history lesson. And this — in keeping with the lamentable way most schoolteachers use the subject to provoke yawns and force dates down student throats — is instantly boring.
“Gangs Of Wasseypur has a capricious first half, but the film advances vigorously post intermission. There’s never a tedious moment in the second half of the gangster epic, the plot throws a number of disclosures at you, it dribbles with visual style, laces up with commanding, acidic and witty lines… with Rajiv Ravi‘s camera moving incessantly,” writes Taran Adarsh, Bollywood Hungama.
But film critic Raja Sen, Rediff differs from Adarsh. He writes, “The film never recovers from the unforgivably tedious first half-hour, and despite many laudable moments and nifty touches, never quite engages. This is partly because of every Indian filmmaker’s befuddling desire to borrow plot-points from The Godfather whenever dealing with crime families, but mostly because Kashyap is defiant in his self-indulgence, piling on more and more when less could have done the job more efficiently.”
While the story is too long and tiring to narrate, just defining the lead cast will fill up this page. Sardar Khan (Manoj Bajpai) has a one-point agenda: avenge his father’s death from coal mine owner-turned-politician Vidhayak Ramadhir Singh (Tigmanshu Dhulia). Circumstances lead Khan to a dual life. In one, he is married to Najma (Richa Chadda) and has three sons and in the other, he is seduced by Durga’s (Reemma Sen) sexy back to have another son from her. He also has two sidekicks, the forever grumpy Farhan (Piyush Mishra) and the Rajkumar Hirani-lookalike Asgar Khan (Jameel Khan). Through most of the film, Sardar is either battling Ramadhir Singh or the Quereshis who had driven him out of Wasseypur initially. The story takes a romantic turn after a giant time leap. Sardar’s sons grow up to pursue their respective love interests, leading to some priceless comic scenes. The film concludes with a predictable climax and if you were awake through most of the film, you can guess the end atleast 15 minutes before the closing credits.
The cast is mostly spot-on. Richa Chadda and Jameel Khan are the pick of a very talented bunch, and Nawazuddin Siddiqui (who, Part One’s plot promises, will dominate the sequel) burns through the frames he’s in. There are admirably few familiar faces in key roles, and while characters age very sporadically — Tripathi’s Sultan, for example, barely ages a day in over four decades — their growth is very well defined. And the film’s best performer is composer Sneha Khanwalkar, whose Keh Ke Lunga is the song of the year. The films picks up a lot of steam in the final act, and the trailer for Part Two — which comes after the end-credits — with a man called Perpendicular treating a razor blade as if it were a stick of Wrigley’s, is crackling.
Considering the amount of blood spilled in this film, it could’ve just been called ‘Gangs of Sauce-e-pur’. Hot and sweet and different. ‘Bata deejiyega sabko!’